Sir Joshua Reynolds RA FRS FRSA was the most important and influential of 18th century
English painters, specialising in portraits and promoting the "Grand Style" in painting which
depended on idealization of the imperfect. He was one of the founders and first President of
the Royal Academy. George III appreciated his merits and knighted him in 1769.
Self portrait 1747-49
Showing an early interest in Art, Reynolds apprenticed in 1740 to the fashionable portrait painter
Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years
in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". From 1753
until the rest of his life he lived in London, his talents gaining recognition soon after his arrival.
James FitzGerald, Duke of Leinster. 1753
Portrait of Suzanna Beckford, 1756
Portrait of Miss Mary Pelham, c. 1757, Dallas Museum of Art
Garrick between Tragedy and Comedy, approx. 1761
George Clive and his Family with an Indian Maid, 1765
Professionally, Reynolds' career never peaked. He was one of the earliest members of the
Royal Society of Arts, and with Gainsborough established the Royal Academy of Arts as a
spin-off organisation. In 1768 he was made the RA's first President, a position he held until
his death.
Colonel Acland and Lord Sydney, The Archers, 1769
In September 2005, the Tate Gallery acquired the painting for over
UK£2.5 million (US$4.4 million).
Lady Delm and her children, 1777-1780, National Gallery of Washington
With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist
of 'the Age of Johnson'. It is said that in his long life he painted as many as three
thousand portraits.
Portrait Of Mrs. Siddons As The Tragic Muse
Reynolds and the Royal Academy have historically received a mixed reception. Critics
include many of the Pre-Raphaelites, and William Blake, the latter having published his
vitriolic Annotations to Sir Joshua Reynolds' Discourses in 1808. To the contrary, both
J. M. W. Turner and James Northcote were fervent acolytes: Turner requested he be
laid to rest at Reynolds' side, and Northcote (who lived for four years as Reynolds' pupil)
wrote to his family "I know him thoroughly, and all his faults, I am sure, and yet almost
worship him." The word worship is second cast; originally Northcote had written adore.
Mozart - Quartet for Flute No.4 in A major, K.298
1악장 (Theme & variations: Andante)
Judith Hall, Flute / Paul Barritt, Violin
Josephine Horder, Cello / Gustav Clarkson, Viola
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